Getting The Mix

Getting a great mix can be very tough. Recording well requires quality inputs, correct performance, and extreme listening skills. The adage, “It’s not the gear, it’s the ear” holds a lot of truth. Better listening begets qualitative judgement, which enhances desire for equipment that can satisfy ever expanding qualitative judgement, which creates gear sluts, people who always need some better gear. That’s me.

Of course subjectivity is involved, but its more satisfying to be objectively subjective (oxymoron, maybe) when proper equipment is utilized.

My first real studio experience was when I was 19. We had no idea our band was terrible. Spending three hours recording four cover tunes on traditional two inch tape and some big console, excitement and expectations were huge. The engineers mixed it out for us in about a half hour. Those big old JBL studio monitors sounded great at full tilt; you know, loud is best. We were presented a cassette tape of our session which promptly went on to the car stereo.

Feeling like rock stars, disappointment was huge when we compared our three hour session to cassettes produced by big labels. We had no understanding that those projects could take weeks and months of ten to twelve hour days before release. And that’s before mastering. Mastering?

We understood nothing. Sometimes it still feels that way.

Is there anyway we can help?

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